A Type Tool For You

Carl Shank • February 21, 2023

A Type Tool and An Offer

I remember the "good old days" of type and typesetting and layout tools mailed to you by different companies. I still have many of those type spec tools in my layout drawer. I have constructed a Type Tool for your use and enjoyment. It has been a labor of love, constructing the inch ruler, centimeter ruler and pica & point rulers. These have been done from hand by using standard measuring tools. I also put on a fractional equivalency chart, a useful dingbats reference, and an inside pull slider giving some samples of popular font choices and amazing ampersands.


I am including the construction method of this Tool below for your use and fun. You will need a program that can produce an 11 x 8.5 image and download the PDF from here. I am also offering through our Store the Type Tool and a thumb drive of all the blogs I have posted up to this date. They are catalogued using Adobe InDesign's program, employing the Minion Pro font and Formata Bold as well. Quite a bit of work went into these instruments of typography and graphic design tools, so I hope you are able to order and use them freely. They are copyrighted, so please do not remake them as your own.


Most of all, enjoy!

Successful Layout & Design

By Carl Shank August 1, 2026
All About Romans. No, not the Roman Empire, or the Caesars, or Christ, but the typographic distinction between Old Style Roman and Modern Roman typography. Roman typefaces are among the most influential developments in the history of typography. Although all Roman types descend from the humanist writing of the Italian Renaissance, they evolved into distinct stylistic categories over several centuries. Two of the most important are Old Style (Old Face) and Modern (Didone) Roman typefaces. They differ not only in appearance but also in their historical origins, methods of production, readability, and aesthetic philosophy. Old Style and Modern Roman typefaces represent two major stages in the evolution of Western typography. Old Style typefaces preserve the humanist ideals of Renaissance calligraphy, emphasizing warmth, balance, and readability. Modern (Didone) typefaces embody the Enlightenment pursuit of precision and refinement, using strong contrast, vertical stress, and delicate serifs to create a dramatic, sophisticated appearance. Together, they established the foundation for later serif classifications—including Transitional, Slab Serif, and Contemporary designs—and continue to influence typography in publishing, branding, and digital media today.
By Carl Shank July 31, 2026
In typographic terminology, script refers to a class of typefaces designed to emulate handwriting or calligraphy, regardless of whether letters are connected. Cursive, by contrast, refers to a style of handwriting characterized by connected, flowing letterforms developed for efficient writing. Consequently, cursive writing is one important source of script typefaces, but script typography also includes many designs that are not truly cursive. While a script typeface may connect every letter, or only certain combinations, or even none at all, cursive faces are characterized by connected letters. Thus, English Roundhand, Spencerian writing, the Palmer method, and modern school writing are all cursives. Cursive writing evolved because ancient scribes needed to write quickly.
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