Font Management in Mac

Carl Shank • March 24, 2022

If you are like many users, you will soon be overwhelmed by the wealth and number of fonts in your font system folder. This is where a Font Management tool comes in handy. Such a tool helps you organize, specify and use a limited number of fonts for specific projects. It also helps to identify font conflicts, badly designed or corrupted fonts or fonts that simply do not work anymore.


SUITCASE. A premier font management tool is Suitcase Fusion (www.extensis.com). This tool has served font and design professionals over the years with expert and solid font management. The modern name is "Suitcase Fusion," version 22.x. This tool helps the user to install Adobe fonts directly into the Extensis files, auto-activates fonts in Adobe's Creative Cloud, drag and drop fonts into Affinity Designer, Photo and Publisher on the PC. It finds and compares fonts on the list view. The modern iteration works on the newer Macs M1. There is a free trial offered.




Older Mac Systems

As my readers know, I use a number of older Macintosh systems for archived software use. Extensis Suitcase Version 10 is what I use on these systems as well. Suitcase Strip puts font management on the Control Strip of Mac OS 9, and a "Collect for Output" function allows users to send their fonts with the projects to a printer. Suitcase on these older machines requires a PowerPC processor, OS 8.6 or newer and 32MB of RAM. The program also includes LemkeSoft's FontBook, a font preview utility (See below.)


The downside is working with Adobe's Type Manager (ATM). ATM Deluxe does not work in Mac OS 9.2.2 with Suitcase. However, ATM Light 4.6.2 or 4.6.2a is necessary for smooth font previews, since Suitcase has no smoothing option. Adobe Type Manager (ATM) Light is a system software component that automatically generates high-quality screen font bitmaps from the PostScript outlines in Type 1 or OpenType format. ATM Light was discontinued in 2005, but Adobe still makes it available for customers who require it for older operating systems. With ATM Light, you can scale your fonts on legacy systems without the characters appearing jagged, and you can also enable "font smoothing," which further improves the appearance of your fonts onscreen by using your computer monitor's color palette to intelligently improve the rendering of characters. ATM Light also allows you to print PostScript fonts on non-PostScript printers. You may have to hunt and search for ATM Light version 4.6.2, but a good place to start is Macintosh Garden (macintoshgarden.org) and Macintosh Repository (macintosh repository.org). See the examples below.

Successful Layout & Design

Art Nouveau Typography

By Carl Shank • September 6, 2025
Art Nouveau fonts grew out of the late 19th-century Art Nouveau movement (c. 1890–1910), which sought to break away from academic, historicist styles and create a new art for the modern age. The style flourished across Europe and America in architecture, furniture, illustration, and typography. In lettering, Art Nouveau embraced organic forms, flowing curves, floral motifs, and asymmetry, reflecting the movement’s fascination with natural growth and hand-drawn ornament. Art Nouveau took its name from the Maison de l'Art Nouveau, a Parisian gallery that exhibited the works of artists and designers who were associated with the movement. The style was characterized by flowing, curvilinear forms inspired by natural shapes and motifs such as flowers, vines, and insects. It also incorporated elements from other artistic traditions, such as Japanese art and the Arts and Crafts movement. Art Nouveau was particularly popular in Europe, where it influenced a wide range of artistic disciplines, including architecture, interior design, furniture, jewelry, and graphic design. Some of the most notable Art Nouveau architects included Hector Guimard, Antoni Gaudí, and Victor Horta, while artists such as Alphonse Mucha, Aubrey Beardsley, and Gustav Klimt were celebrated for their decorative and ornamental works. Art Nouveau declined in popularity after World War I, as artists and designers began to embrace new, more modernist styles. However, its influence can still be seen in many aspects of contemporary design, and it remains an important and influential movement in the history of art and design. 

Ornamental Gothics

By Carl Shank • August 30, 2025
Gothics History. Gothic typefaces are a broad group of styles rooted in medieval calligraphy and evolved into distinct print types during and after the invention of movable type via Gutenberg in the 15th century. They are sometimes confusingly named. In Europe “Gothic” usually refers to blackletter (medieval scripts), while in the U.S. “Gothic” often refers to sans-serif typefaces since the 1830s. Gothic script is a broad term for the entire family of medieval European scripts that developed from Carolingian minuscule around the twelfth century. “Minuscules” are lower case letters as distinct from capital letters, or uncials. Type developed in the sixth through tenth centuries with modern lettering evolving from Carolingian scripts. The Emperor Charlemagne used these letters as an educational standard. These densely packed scripts featured tall, narrow letterforms, strong vertical emphasis, sharp, angular connections, a dramatic thick/thin contrast and minimal spacing between letters. Gothic-inspired fonts create immediate medieval impact and work beautifully for titles, logos, and short display text. They are used today in Fantasy Gaming, Historical Projects, Themed Entertainment (like the Renaissance Fair), Book Design, Certificates, Breweries and Distilleries. Jack Nolan, a professional graphics designer, has provided a fetching display of such faces in his "33 Medieval Fonts Perfect for ‘Ye Olde’ Designs in 2025."(1)
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