Converting PageMaker to InDesign

Carl Shank • January 15, 2021

How to Convert PageMaker Files to InDesign Files

To some users with  legacy PageMaker files, converting  them  to Adobe InDesign files has been a challenge. Adobe Systems Incorporated stopped shipping or updating PageMaker files for a number of years. They moved on to InDesign programming and layout. Aldus PageMaker 3 for Macintosh and Windows was shipped in 1988. Aldus PageMaker 4 for Macintosh was released in 1990, with the Windows version in 1991, and offered new word-processing capabilities, expanded typographic controls, and enhanced features for handling long documents.


Aldus PageMaker 5.0 was released in January 1993. Aldus was purchased by Adobe Systems who took over the upgrades and further enhancements. Adobe PageMaker 6.0 was released in 1995, and Adobe PageMaker 6.5 was released in 1996.


Support for versions 4.0, 5.0, 6.0, and 6.5 is no longer offered through the official Adobe support system. This poses substantial problems for users who have works authored in these legacy versions.


The final version made available is PageMaker 7.0, released in 2001, though updates have been released for the two supported platforms since.


The Macintosh version runs only in Mac OS 9 or earlier; there is no native support for Mac OS X, and it does not run at all on Intel-based Macs. It does not run well under Classic, and Adobe recommends that customers use an older Macintosh capable of booting into Mac OS 9. The Windows version supports Windows XP and a few other Windows versions.


As Adobe migrated users to its new InDesign format released in 2001, versions 1 through CS6 had their fair share of adoption issues and compatibility problems. Newer versions of InDesign can read older InDesign versions, but they are not backwards compatible. InDesign CS6 can read only PageMaker 6.5 files. Consequently, users who now have InDesign CC series cannot read older PageMaker files at all. Thus, the need for this service.


What We Can Do For You

PageMaker 3 – 5 to InDesign ($15 per file) (Macintosh)

Specify the InDesign format to what you want to transfer your files. We offer InDesign CS – CS6 and InDesign CC. To transfer these older PM files to newer InDesign files (InDesign CS6 and beyond) requires first transferring them to PageMaker 6.5 files. Our goal is to keep your formatting and fonts in place. If we cannot do this, we will let you know before the transfer takes place.


PageMaker 6.x to InDesign ($15 per file) (Macintosh)

Specify the InDesign format to what you want to transfer your files. We offer InDesign CS – CS6 and InDesign CC. Our goal is to keep your formatting and fonts in place. If we cannot do this, we will let you know before the transfer takes place.


PageMaker 6.5 or 7 to InDesign CS ($15 per file) (Windows)

We also offer a Windows based transfer system for PageMaker 6 or later files to InDesign CS. 


We own the legal rights to the use of this software. All of the software used has a valid Adobe serial number. We have been using this software since its inception to the Macintosh or Windows platforms.

Successful Layout & Design

Faust Lettering

By Carl Shank • July 11, 2025
Charles Ayers Faust (b. 1860) was an American calligrapher and typographic designer known primarily for his 1912 compendium Faust’s 75 New Alphabets , a richly illustrated manual of lettering techniques. Published in Chicago by the C. W. Braithewait Company, this 72‑page volume is now in the public domain. CARE Typography, in its mission to digitally restore older typography, has restored some of Faust's designs for the modern type world. 75 unique alphabets for artistic lettering, including brush, air-brush, air-pencil, relief, stencil, marking, shading, and both ornate (Payzant, Soennecken) and practical “common pen” styles. They are Highly visual, serving as both an instructional guide and inspirational specimen book for sign-writers, designers, artists, and printers of the early 20th century.  Samples are below, available from CARE Typography .

Typography and Religion in the De Stijl Movement

By Carl Shank • July 8, 2025
The De Stijl (Dutch for “The Style”) typographical and art movement emerged around 1917 and significantly influenced modern art, design and thought itself. In the wake of the chaos of World War I, the movement sought to express a new vision of harmony and order. De Stijl was not just an art style, but a comprehensive aesthetic philosophy. It sought universal beauty, as abstracted from individual beauty, and a visual language and typography based on simplicity, geometry and primary colors, namely red, blue and yellow. Its core characteristics were the use of straight horizonal and vertical lines, the use of rectangles and squares, an emphasis on asymmetry, and the favoring of pure abstraction. De Stijl was deeply influenced by the philosophy of Neo-Plasticism, a theory developed by Piet Mondrian, which sought to depict reality in a pure, universal form. Behind this philosophy was the religious thrust of Theosophy, particularly the spiritual writings of Helena Blavatsky (1831–1891) and Rudolf Steiner (1861–1925).
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