Hour Glass Creation

Carl Shank • October 18, 2023

Hour Glass Creation. Have you ever found something that challenged your creativity and skill? In typography such things exist all the time. In leafing through old ad booklets for the now defunct Adobe Minion Multiple Master Font (See Blogs on "More About Fonts" and "The Journey of Digital Type"), I found a challenging hour glass design with type expertly set within the hour glass to look like time slowly draining from top to bottom. That inspired me to see if I could do something similar with Adobe InDesign, which I love to use for all sorts of projects.


The challenge was to create an interior using only type that seems to be trickling down, as time is seen slowly moving down the hour glass. Since I am a Christian typographer, author and pastor, this was also an opportunity to pull from the Bible's perspective of time slowly drawing to a conclusion from the book of Revelation in the Bible. I chose Revelation 20 as the text to use inside the hour glass. I am certain that more professional illustrators and type setters can do a better job. But this is what I created using the tools and training in InDesign over the years.


Enjoy — and dive into your next type challenge!

Successful Layout & Design

Wide Is Beautiful

By Carl Shank • March 15, 2025
Wide Is Beautiful What makes a typeface beautiful? Aesthetically pleasing fonts or typefaces have differing qualities that make them suitable and beautiful in different contexts and uses. I have chosen six (6) wide or "extended" font faces to highlight the inherent beauty and usability of such type. The samples chosen range from well used Adobe fonts to a specialty antique wide font CARE Typography crafted from an old fashioned type book published by Frederick Nelson Phillips, Inc of New York back in 1945.

Italics

By Carl Shank • February 22, 2025
Italics . Typography historically received its most valuable improvements from the printers of Italy giving us three text-letters of greatest usefulness : (1) the Roman typeface, first founded by Sweinheym and Pannartz in 1465, and afterward perfected by Jenson at Venice in 147 1 ; (2) Italic and (3) Small Capitals, introduced together by Aldus Manutius at Venice in 1501. The first volume entirely in Greek was printed at Milan in 1476 ; the first book entirely in Hebrew, at Soncino in 1488. The transition from Gothic to Italic typefaces was part of the broader evolution of typography that took place during the Renaissance period, driven by shifts in cultural, aesthetic, and technological factors. Gothic script was primarily used for religious texts, legal documents, and early printed books like the Gutenberg Bible. It symbolized tradition, formality, and authority. Gothic, was characterized by its dense, angular, and ornate letters, often with sharp vertical strokes, tight spacing, and elaborate flourishes. It was designed to mimic the style of manuscript writing at the time.
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