Blog Layout

End Marks

Carl Shank • October 10, 2021

End Marks are used in magazines and articles, especially when the article is spread over a number of pages along with other articles or ads or images. They tell a reader when that particular article ends. The End Marks Samples above are from three different publications. The upper left is from an article by Kathleen Tinkel in Publish Magazine, March 1991. Upper right is from an instructional article on making fractions in PageMaker (4.0) in Aldus Magazine, July/August 1991. The bottom is from an article by Jim Heid in Macworld, June 1989. Each end point is different and each distinctive.


How are they made? Usually an image is scanned into a font developer program, like Fontographer, and placed in a character slot. It is then made into a glyph, a separate letter, if you will, in the font or in another font. This allows the writer or editor to conveniently and neatly place the end mark without having to shrink the main image and then somehow maneuver it into the end of a paragraph. See the diagram below as to how an end mark can be made.

Successful Layout & Design

Wide Is Beautiful

By Carl Shank • March 15, 2025
Wide Is Beautiful What makes a typeface beautiful? Aesthetically pleasing fonts or typefaces have differing qualities that make them suitable and beautiful in different contexts and uses. I have chosen six (6) wide or "extended" font faces to highlight the inherent beauty and usability of such type. The samples chosen range from well used Adobe fonts to a specialty antique wide font CARE Typography crafted from an old fashioned type book published by Frederick Nelson Phillips, Inc of New York back in 1945.

Italics

By Carl Shank • February 22, 2025
Italics . Typography historically received its most valuable improvements from the printers of Italy giving us three text-letters of greatest usefulness : (1) the Roman typeface, first founded by Sweinheym and Pannartz in 1465, and afterward perfected by Jenson at Venice in 147 1 ; (2) Italic and (3) Small Capitals, introduced together by Aldus Manutius at Venice in 1501. The first volume entirely in Greek was printed at Milan in 1476 ; the first book entirely in Hebrew, at Soncino in 1488. The transition from Gothic to Italic typefaces was part of the broader evolution of typography that took place during the Renaissance period, driven by shifts in cultural, aesthetic, and technological factors. Gothic script was primarily used for religious texts, legal documents, and early printed books like the Gutenberg Bible. It symbolized tradition, formality, and authority. Gothic, was characterized by its dense, angular, and ornate letters, often with sharp vertical strokes, tight spacing, and elaborate flourishes. It was designed to mimic the style of manuscript writing at the time.
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